The University Library Special Collections Division recently contributed to the conference ‘Dress and Décor: Domestic Textiles and Personal Adornment in Scotland up to 1700’. In this blog Dr Morvern French gives a report of the day’s activities.
This blog was originally published on the School of History website here: https://standrewsschoolofhistory.wordpress.com/2018/04/02/conference-dress-and-decor-domestic-textiles-and-personal-adornment-in-scotland-up-to-1700/.
On 23 and 24 March 2018 the Institute of Scottish Historical Research held a conference on Dress and Décor: Domestic Textiles and Personal Adornment in Scotland up to 1700. With a diverse range of speakers and topics, the event focussed on clothing, accessories, jewellery, tapestry, and embroidery from the medieval to early modern period in Scotland.
Dr Sally Rush opened with a study of the chafferon at the court of James V. A gold wire headdress worn by men and women, it represented the Renaissance ideals of beauty and majesty, and can be traced through written accounts, portraiture, and sculpture. This was complemented by a panel on ‘Royal Ceremony and Display in the Sixteenth Century’. Dr Lucy Dean outlined the use of dress at the marriages of James IV, James V, and James VI, arguing for its international significance. Rosalind Mearns examined a portrait of James V and Mary of Guise, comparing the fashion and accessories depicted with those in a contemporary portrait of Mary Tudor and Charles Brandon. Peryn Westerhof Nyman considered the wearing of dule – mourning cloth – by members of the Scottish court on the deaths of Madeleine of Valois, Margaret Tudor, and James V.
Helen Wyld gave an in-depth paper on the reconstruction of James V’s tapestry collection, none of which is known to survive. Documentary and visual evidence, and the identification of contemporary pieces, show that James’s taste was at the cutting edge of European design and cultural sophistication.
In the Collections Session Claire Robinson presented a pair of gauntlet gloves held by the Museum of the University of St Andrews. These were given by Charles I to Sir Henry Wardlaw, who also owned the Wardlaw Bible presented by Dr Briony Harding of Special Collections, University of St Andrews. This and a dos-à-dos devotional text on display are covered with embroidered bindings bearing heraldic and floral designs.
Afterwards, we heard a panel on ‘The Production and Circulation of Textiles’. Nora Epstein considered how the adoption of Protestantism in Scotland caused religious imagery to move from the church to the home, appearing in embroidery. Professor Christopher Smout then discussed the varied types of fabric produced in seventeenth century Scotland, and the spinners, weavers, tailors, and merchants involved in its manufacture and distribution within Scotland and abroad.
Caroline Paterson then opened a dialogue on Viking graves in Scotland with a consideration of brooches, belt fittings, beads, and other accessories. The dating, metal content, and design provide a picture of cultural complexity in Viking era Scotland, with material influences from Scandinavia. Following this paper, we heard Dr Susan Freeman’s study of the textile remains found in these graves, with a focus on the skill and time investment needed to produce these items.
The next morning, Dr Mark Hall discussed the spiritual and social values attached to dress accessories in and around medieval Perth. These included coins, pilgrimage tokens, reliquary pendants, horse mounts, and seal matrices, which held religious and/or apotropaic properties. Such objects were sometimes recycled or reshaped to change in use and meaning, beyond the strictly aesthetic.
The final panel on ‘Dress, Accessories, and Jewellery: Their Role in Cultural Identity’ was opened by Lyndsay McGill. She reconsidered the accepted definition of fede rings as relating to love and marriage, when they may have also had religious or apotropaic properties. Rhona Ramsay followed with a look at ‘naken’ or itinerant metalworkers in Argyll, showing that such craftspeople were capable of producing sophisticated silver pieces for elite clients. Finally Dr David Caldwell re-examined the traditional Scottish dress of plaid, which had antecedents in the classical world but was increasingly associated with the Highlands of Scotland.
At the concluding roundtable discussion ideas for future research and collaboration were put forward. These included a publication of the conference proceedings and the holding of further conferences. In the meantime we have created an online network for anyone interested in the topic of dress and décor in Scotland. To access this please email email@example.com or firstname.lastname@example.org.
Dr Morvern French
Assistant Historian at Historic Environment Scotland